The song “Joey” by Bob Dylan is about the life and death of Joe Gallo, a real-life mobster who was killed on his birthday at Umberto’s Clam House in Little Italy, on April 7, 1972. The song was written by Dylan and Jacques Levy, who collaborated with Dylan on most of the songs on the album Desire.
The song tells the story of Gallo’s early life, his rise to power in the Mafia, and his eventual downfall. Dylan paints a complex picture of Gallo, simultaneously portraying him as a violent criminal and a charismatic leader. He suggests that he was a master of his own fate, but that his fate was ultimately determined by his own actions.
Biographical Sketch: “Joey” is essentially a biographical song that paints a portrait of Joey Gallo. Dylan describes Joey’s background, his rise within the mafia, and his reputation as a feared and ruthless figure in the criminal underworld.
Complex Character Study: The song doesn’t glorify Joey but rather presents a complex character study. Dylan explores Joey’s motivations, his sense of honor, and his inner conflict. It’s not a one-dimensional portrayal; it shows the humanity and contradictions within this notorious figure.
Injustice and Betrayal: The song suggests that Joey felt betrayed by his own associates in the mafia and may have been set up for an assassination. Dylan’s lyrics hint at a sense of injustice and treachery, adding to the tragic elements of the story.
Reflection on Crime and Consequences: “Joey” can also be seen as a reflection on the consequences of a life of crime. It doesn’t romanticize the mafia lifestyle but rather underscores the violence, betrayals, and inevitable downfall that often accompany it.
Narrative and Storytelling: Like many of Dylan’s songs, “Joey” is a narrative-driven piece. It tells a story with characters, plot developments, and a sense of place. Dylan’s storytelling prowess is on full display in this song.
Here are some of the lines from the song that have been interpreted in different ways:
- “Joey, Joey, king of the streets, child of clay” – This line suggests that Gallo was both powerful and vulnerable, a man who was both feared and loved.
- “He was a man of contradictions, a man of violence and peace” – This line highlights the complexity of Gallo’s character, showing that he was capable of both good and evil.
- “He was a victim of the system, a victim of his own ambition” – This line suggests that Gallo was a product of his environment, a man who was shaped by the circumstances of his life.
- “He was a man of his time, a man of his place” – This line suggests that Gallo was a man of his era, a product of the social and political conditions of the time.
“Joey”
Born in Red Hook Brooklyn in the year of who knows when
Opened up his eyes to the tune of an accordion
Always on the outside whatever side there was
When they asked him why it had to be that way “Well” he answered “just because”.
Larry was the oldest Joey was next to last
They called Joe “Crazy” the baby they called “Kid Blast”
Some say they lived off gambling and running numbers too
It always seemed they got caught between the mob and the men in blue.
Joey, Joey
King of the streets child of clay
Joey, Joey
What made them want to come and blow you away.
There was talk they killed their rivals but the truth was far from that
No one ever knew for sure where they were really at
When they tried to strangle Larry, Joey almost hit the roof
He went out that night to seek revenge thinking he was bulletproof.
The war broke out at the break of dawn it emptied out the streets
Joey and his brothers suffered terrible defeats
Till they ventured out behind the lines and took five prisoners
They stashed them away in a basement called them amateurs.
The hostages were trembling when they heard a man exclaim
“Let’s blow this place to kingdom come let Con Edison take the blame”
But Joey stepped up, and he raised his hand and said, “We’re not those kind of men
It’s peace and quiet that we need to go back to work again”.
Joey, Joey
King of the streets child of clay
Joey, Joey
What made them want to come and blow you away.
The police department hounded him, they called him Mr. Smith
They got him on conspiracy, they were never sure who with
“What time is it” said the judge to Joey when they met
“Five to ten” said Joey. The judge says, “That’s exactly what you get”.
He did ten years in Attica, reading Nietzche and Wilhelm Reich
They threw him in the hole one time for trying to stop a strike
His closest friends were black men ’cause they seemed to understand
What it’s like to be in society with a shackle on your hand.
When they let him out in ’71 he’d lost a little weight
But he dressed like Jimmy Cagney and I swear he did look great
He tried to find the way back into the life he left behind
To the boss he said, “I’ve returned and now I want what’s mine”.
Joey, Joey
King of the streets child of clay
Joey, Joey
What made them want to come and blow you away.
It was true that in his later years he would not carry a gun
“I’m around too many children”, he’d say, “they should never know of one”
Yet he walked right into the clubhouse of his lifelong deadly foe
Emptied out his register, said, “Tell ’em it was Crazy Joe”.
One day they blew him down in a clam bar in New York
He could see it coming through the doors as he lifted up his fork
He pushed the table over to protect his family
Then he staggered out into the streets of Little Italy.
Joey, Joey
King of the streets child of clay
Joey, Joey
What made them want to come and blow you away.
Sister Jacqueline and Carmela and mother Mary all did weep
I heard his best friend Frankie say, “He ain’t dead he’s just asleep”
Then I saw the old man’s limousine head back towards the grave
I guess he had to say one last goodbye to the son that he could not save.
The sun turned cold over President Street and the town of the Brooklyn mourned
They said a mass in the old church near the house where he was born
And someday if God’s in heaven overlooking his preserve
I know the men that shot him down will get what they deserve.
Joey, Joey
King of the streets child of clay
Joey, Joey
What made them want to come and blow you away.
CANSU DEMİR
