photo and article sources: pinterest and edlis.org
1
Road trip, April 1964
Cambridge, Massachusetts…
“In April 1964, the photographer John Byrne Cooke took a road trip through New England with Bob Dylan, Victor Maymudes, John Sebastian, Paul Rothchild (who later became The Doors’ manager) and Cooke’s fellow photographer Charlie Frizzell.”
Photograph courtesy of Charlie Frizzell.
This photograph is also featured in the trailer for the movie ‘For The Love of the Music’, a film about Club 47.”
2
Another cartop photo taken at the same time. Don’t know if it was snapped by Betsy Siggins or one of the other camera jockeys along for the ride that day. Speaking of camera jockeys, Dylan was often seen wielding one of the little picture-taking contraptions. Which photos are identified as actually having been taken by Mr. D himself?
3
Amherst, Massachusetts – April 26, 1964, Photograph by John Byrne Cooke. — Charlie Frizzell, Victor Maymudes, Paul Rothschlld, Bob Dylan and John Sebastian
4
May 1964, Paris
walk with Hugues Aufray. Photograph by Tony Frank.
Paris May 1964. “Bob Dylan and Hugues Aufray, snappy boulevardiers par excellence, stroll the streets in search of rhyme, wine and good times.” Photograph courtesy of Tony Frank.
5
Photograph by Daniel Kramer, probably late fall (November?) 1964.
6
Nikon SP
Photograph by Daniel Kramer, probably late fall (November?) 1964.
7
Bob Dylan and Charlie Frizzell at the Brandeis Folk Festival, Waltham, April 1964. Photograph courtesy of John Byrne Cooke.
“Charlie had become interested in photography at 14, on his first job at a camera shop. However, his passion for shooting photos truly blossomed during a four-year apprenticeship he entered in 1964 with the respected commercial photographer, Bob O’Shaughnessy, the man Charlie dubbed his “guru.” As his skills developed, Charlie started using his camera to document the burgeoning folk music revival scene in and around Cambridge, Mass. His talents were soon recognized and Bob Dylan, Joan Baez, and Mose Allison were among the top musicians Charlie was photographing. There were also gigs doing album covers for such popular performers as Geoff and Maria Muldaur, the Jim Kweskin Jug Band, and Doc Watson.”
8
Bob Dylan and Charlie Frizzell at the Brandeis Folk Festival, Waltham, April 1964. Photograph courtesy of John Byrne Cooke.
Bob Dylan and Charlie Frizzell at the Brandeis Folk Festival, Waltham, April 1964. Photograph courtesy of John Byrne Cooke.
9
Bob Dylan with photographer Jean Marie Perier at Le Bourget Airport, Paris, 22 May 1966. Photograph courtesy of Brad Elterman.
Bob Dylan photographing Jesse and Elliott Landy during Saturday Evening Post session, Woodstock, New York, 1968. Photograph courtesy of Elliott Landy.
10
The photograph Bob Dylan took of Elliott Landy … With Jesse in the foreground, taken during Saturday Evening Post session, Woodstock, New York, 1968.
11
Watching The River Flow (1971) A unique new single by Bob Dylan. On Columbia Records.
12
David Gahr, December 1971, New York
“One winters day I called Bobby and asked him if he would like to go photographing with me in the Village. It was 1971 and damn cold but I put a camera with a wide-angle lens in his hands andwe ended up on the Lower East Side where he took photos, which revealed his mischievous talent. The Lower East Side habitué lifted a marvelous eyebrow just as I touched the release shutter.” — David Gahr
13
David Gahr, December 1971, New York
15
David Gahr, December 1971, New York
16
Photobomb!
December ’71 / NYC, by David Gahr
17
Photograph by Daniel Kramer, probably late fall (November?) 1964.
Nikon SP Rangefinder
Woodstock, New York
18
Barry Feinstein, 1966:
Feinstein’s “Real Moments” caption:
“Savoy Hotel, London, 1966
This is the Savoy Hotel in London. Bob picked up Pennebaker’s movie camera. He loved shooting with it, but I don’t know if any of his footage made the cut.”
Bob Stacy points out that Feinstein’s recollection of the hotel might be mistaken. In 1965, Dylan and company (no Feinstein that trip) stayed in the Savoy. In 1966, in London the tour party was at the Mayfair Hotel – at least when they first got to the UK and that’s where the London press conference was. Following Paris when they got back to London, perhaps they stayed at the Savoy or dined there.
19
Barry Feinstein, 1966:
“Savoy Hotel [?], London, 1966
From Feinstein:
“This is the Savoy Hotel in London. Bob picked up Pennebaker’s movie camera. He loved shooting with it, but I don’t know if any of his footage made the cut.”
Bob Stacy points out that Feinstein’s recollection of the hotel might be mistaken. In 1965, Dylan and company (no Feinstein that trip) stayed in the Savoy. In 1966, in London the tour party was at the Mayfair Hotel – at least when they first got to the UK and that’s where the London press conference was. Following Paris when they got back to London, perhaps they stayed at the Savoy or dined there.
—Rick Danko, Robbie Robertson, Albert Grossman,Howard Alk and Robbie Robertson (album) ile birlikte.
20
July 15, 1972
Mariposa Festival, Toronto, Canada
21
The photo number 21 is on the set of Renaldo and Clara in 1975. The man in front of Dylan is the cameramen filming Paul Goldsmith. I know because it gave me a copy of that photo (information : Pachi Becerril)
22
July 21, 1993
Camden Town, London
Filming ‘Blood In My Eyes’
23
February 12, 1994
Shin-Ōsaka Station, Ōsaka, Japan
24
February 12, 1994
Shin-Ōsaka Station, Ōsaka, Japan
25
February 12, 1994
Shin-Ōsaka Station, Ōsaka, Japan
26
Winston Watson and Bob Dylan, airport, Singapore February 1994.
27
July, 2002
Ray-Art Studios
Canoga Park, CA
‘Masked & Anonymous’
28
The Big Pink
West Saugerties, New York
between March – October 1967
“Bob Dylan filming in March 1967 for “Eat The Document,” not long before the start of the “Basement Tapes” sessions.”
Photograph courtesy Arie de Reus.
Lo & Behold book (BS Vol. 11)
29
Bob in Japan, Shin-Osaka Station, 1994
30
The Big Pink
West Saugerties, New York
between March – October 1967
The Big Pink
West Saugerties, New York
between March – October 1967
“Bob Dylan filming in March 1967 for “Eat The Document,” not long before the start of the “Basement Tapes” sessions.”
Photograph courtesy Arie de Reus.
Lo & Behold book (BS Vol. 11)
The Big Pink
West Saugerties, New York
between March – October 1967
Photograph courtesy Arie de Reus.
Page 43 in the Lo & Behold: photographs & more book in:
Bob Dylan And The Band The Basement Tapes Complete: The Bootleg Series Vol. 11 (2014)